Thirteen chains, two hundred and thirty-three films, for the people who would rather watch than read.
These are the films. Most are short, one claim each. A chapter’s film carries the chapter’s whole argument, in two to ten minutes. The drawing draws itself. The films add G’s voice and the drawing, not a new claim.
Nothing plays until you open it. Every film sits in a closed row; open the row and the film loads, leave it closed and the page fetches nothing at all. Every film’s lines are in the page as text, in order, so a chain reads with nothing playing.
The films are served from media.the420code.org. There is no third-party player: the page plays the file.
Nine books, one film each. The heart, then the philosophy. Find the door that opens for you.
Nine films, 8:04 in all. The chain is also one film of 6:54, at the head of the page. Every film’s lines are on the chain’s page as text, so it reads with nothing playing.
Nine books, one film each. The heart first: the five doors. Then the philosophy: the four Ø Models. Each film is one book, in G’s voice, in under a minute and a half.
The heart
The gentle door — You have drawn a line between yourself and every person you have ever met.
The front door — The structure that produces violence is not the people. It is the design.
The sacred door — Is the teaching true? Not because a god said so.
The book, then every chapter, one film each. The gentle door.
Eleven films, 1:01:14 in all. The chain is also one film of 59:46, at the head of the page. Every film’s lines are on the chain’s page as text, so it reads with nothing playing.
The book, then every chapter, one film each. The front door.
Seventeen films, 1:42:45 in all. The chain is also one film of 1:40:26, at the head of the page. Every film’s lines are on the chain’s page as text, so it reads with nothing playing.
The book, then every chapter, one film each. The sacred door.
Seventeen films, 1:29:32 in all. The chain is also one film of 1:27:09, at the head of the page. Every film’s lines are on the chain’s page as text, so it reads with nothing playing.
The book, then every chapter, one film each. The personal door.
Twenty films, 1:56:16 in all. The chain is also one film of 1:53:28, at the head of the page. Every film’s lines are on the chain’s page as text, so it reads with nothing playing.
The book, then every chapter, one film each. The operational door.
Thirty-three films, 4:01:30 in all. The chain is also one film of 3:56:52, at the head of the page. Every film’s lines are on the chain’s page as text, so it reads with nothing playing.
The book, then every chapter, one film each. Twelve classical problems, stripped to the argument.
Fourteen films, 1:10:57 in all. The chain is also one film of 1:08:59, at the head of the page. Every film’s lines are on the chain’s page as text, so it reads with nothing playing.
The book, then every chapter, one film each. Thirteen further problems, stripped to the argument.
Fifteen films, 1:22:44 in all. The chain is also one film of 1:20:42, at the head of the page. Every film’s lines are on the chain’s page as text, so it reads with nothing playing.
The book, then every chapter, one film each. Thirteen scales, stripped to the argument.
Fifteen films, 1:22:39 in all. The chain is also one film of 1:20:37, at the head of the page. Every film’s lines are on the chain’s page as text, so it reads with nothing playing.
The book, then every chapter, one film each. Twelve architectures, stripped to the argument.
Fourteen films, 1:13:39 in all. The chain is also one film of 1:11:43, at the head of the page. Every film’s lines are on the chain’s page as text, so it reads with nothing playing.
Thirty films, 23:31 in all. The chain is also one film of 19:10, at the head of the page. Every film’s lines are on the chain’s page as text, so it reads with nothing playing.
Thirty films, 29:36 in all. The chain is also one film of 25:18, at the head of the page. Every film’s lines are on the chain’s page as text, so it reads with nothing playing.